This series of paintings explores museology and the archival practices of the British Museum in London, which holds the world's largest permanent collection of objects and artworks. Harris uses white ochre on stretched hessian to depict the ghostly silhouettes of stolen First Peoples objects held by the museum, as an attempt to create a bridge between the institution and First Peoples communities. Organised alphabetically, the series includes recognisable artefacts such as boomerangs, bags and shields, inviting discourse on colonialism, cultural heritage and the role of museums in representing First Nations voices.