- » Isobel Parker Philip, ‘An Elegy to Apertures’, Centre for Contemporary Photography, Melbourne, 2017
- » Jai Mc Kenzie and Amanda Williams, ‘On Photography and Consecutive Matters’, Runway, Issue 17, 2011, pp. 48-53
- » Michael Edward Harvey, Amanda Williams - Alpine Bogs and Associated Fens, exhibition text, The Commercial, Sydney, 2020
- » Benjamin Clay, ‘Alpine Bogs and Associated Fens’, un Projects, 27 February 2020
- » Andrew Frost, ’50 Things Collectors Should Know’, Art Collector, no. 91, Jan-Mar 2020, pp. 112-113
- » Q&A with Amanda Williams, PHOTO 2021, 21 October 2020
- » Amanda Williams on her first international exhibition, PHOTO 2021, 15 September 2021
- » Amanda Williams, 'Nichols Gorge Walk, Kosciuszko National Park', artist statement, Whose Land Is It? Open Eye Gallery, Liverpool, UK, 2021
- » Amanda Williams, ‘The Last Stand’, Eucalyptusdom, exh. cat., Powerhouse Museum, Sydney, 2022, pp. 167 -201
- » Anneke Jaspers, ‘Amanda Williams’, The National 4: Australian Art Now, exh. cat., Museum of Contemporary Art Australia, Sydney, 2023, p.140
- » Amanda Williams, , ‘In their own words: Five women artists on their work in The National’, Art Guide Australia, 11 May 2023
- » Nick Croggon, ‘Still Life’, exh. text, Amanda Williams — On the Action of the Rays of the Solar Spectrum, The Commercial, Sydney