Tim Schultz, The Broken Egg, 2008, acrylic on canvas, 285.00 x 625.00 cm, TCG34
(photo: Moshe Rosenzweig)

"The subject is adrift in a world not firmly located. Substance and the limits and comparative scales of things are fully negotiable. Fluids emanate from the medium. Eggs, classical architecture etc. are equally fragile forms. The structure of the eye is part of the structure of the brain. In a fit of decoration, architecture gives birth to furniture." Amanda Rowell, 'Oblivion Pavilion', in Emily Hunt and Raquel Welch, OP, exh. cat. and artist publication, Oblivion Pavilion, Gertrude Contemporary Art Spaces, Melbourne and Roslyn Oxley9 Gallery, Sydney, 2008