As yet Untitled (Ree Morton, 1972)
Narelle Jubelin, As yet Untitled (Ree Morton, 1972), 2015 - framed
As yet Untitled (Ree Morton, 1972)
Narelle Jubelin, As yet Untitled (Ree Morton, 1972), 2015 - framed
As yet Untitled (Ree Morton, 1972)
As yet untitled (Ree Morton, 1972), 2015 (unframed)
As yet Untitled (Ree Morton, 1972)
As yet untitled (Ree Morton, 1972), 2015 (verso)
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Narelle Jubelin, As yet Untitled (Ree Morton, 1972), 2015, cotton thread on silk mesh petit point rendition, copper, glass, kadamu wood, 16.5 x 21.7 cm (image), 33 x 43.4 x 1.8 cm (frame), TCG020945

After Ree Morton's Untitled (Rudofsky I), 1972, watercolour and graphite on paper, 38 x 55.5 cm framed.

Put together from large granite slabs, a hórreo is fire- and vermin proof. It rests on pillars topped by circular stones that act as rat-guards, and incidentally, are the fore-runners of the classical capital. Interstices in the walls serve for ventilation. Folklore has it that hórreos go on walks at night.