Narelle Jubelin, As Yet Untitled (Grace Cossington Smith, 1929), 2018, cotton thread on silk mesh petit point rendition, artist frame, 18.5 x 12.5 cm (image), 39 x 26.5 x 2.5 cm (frame), TCG21712
(photo: Andrew Haining/The Commercial) private collection, Sydney

[after The bridge in building, 1929 oil on pulpboard / gift of Ellen Waugh 2005 / collection, National Gallery of Australia, Canberra, exhibited O’Keeffe, Preston, Cossington Smith: Making Modernism, Heide Museum of Modern Art, Melbourne, 2017 / © Estate of Grace Cossington Smith]