Archie Moore in The Canberra Times: 'Inside the haunting art installation mapping 65,000 years of First Nations life' by Sarah Falson.

Review of 2026 Adelaide Biennial of Australian Art: Yield Strength by Jennifer Mills in today's The Saturday Paper.

"His father thought he would find gold. Years later, gold is being used to tell his story" Interview with Archie Moore about his new work Remnants Of My Father in the 2026 Adelaide Biennial by Elizabeth Flux in the Sydney Morning Herald.

The Commercial features in Vogue Australia's coverage of Australian galleries at this year's Art Basel Hong Kong.

The Commercial is exhibiting for the first time at Art Basel Hong Kong. We are in the main Galleries section in Booth 3C28 with a group exhibition of works by Agatha Gothe-Snape, Anna Kristensen, Archie Moore, Augusta Vinall Richardson, Jude Rae and Mitch Cairns. Hong Kong Convention and Exhibition Centre, preview days 25–26 March, public days 27–29 March.

"Artist Archie Moore transforms his father’s poverty into pure gold for new exhibition". Interview with Archie Moore on his new artwork, Remnants Of My Father, supported by Pallion, in The Australian newspaper on opening of 2026 Adelaide Biennial.

Mathew Harris and Archie Moore present new work at the 2026 Adelaide Biennial of Australian Art: Yield Strength, curated by Ellie Buttrose. Harris is presenting works at the Art Gallery of South Australia and the Samstag Museum of Art. Moore is presenting work at the Museum of Economic Botany in the Adelaide Botanic Gardens. Until 08.06.26.

Congratulations to Archie Moore and all the kith and kin team on being awarded the Art Association of Australia & New Zealand award for Best Artist Led Publication in the 2025 Art Writing and Publishing Awards for the kith and kin book published in assocation with the 2024 Venice Biennale exhibition. The kith and kin book is now available at the QAGOMA store.

Archie Moore’s kith and kin at Queensland Art Gallery | Gallery of Modern Art, Brisbane featured in The Guardian “Australia is invited to step into a quiet room and watch the truth of its history emerge from the darkness.” – The Guardian Exhibition until 18.10.26

Review of Archie Moore's kith and kin at QAGOMA by Claire G. Coleman in The Saturday Paper.

Coverage of Archie Moore: kith and kin at QAGOMA on Artshub.

Coverage of Archie Moore: kith and kin at QAGOMA Brisbane on Australian Arts Review.

Archie Moore’s Venice Biennale award-winning installation, kith and kin, opens Friday night at QAGOMA in Brisbane. It is the first time kith and kin has been exhibited since its debut in Venice last year. Two talks are being presented as part of opening weekend events: Saturday 27.09.25, 10.30 – 11.30am: Archie Moore artist talk. Project introduction by Djon Mundine OAM (Bandjalung, curator, writer, artist, and activist). Artist talk in conversation with Ellie Buttrose (Curator, Contemporary Australian Art, QAGOMA and Curator of kith and kin at Venice Biennale) Saturday 27.09.25, 1.30 – 2.30pm: Panel discussion | How Archie Moore’s work centres First Nations voices, and honours stories that have long been silenced. Through their experiences in law, art and writing, guest speakers will reflect on how remembering and recording Indigenous histories can be a reparative and powerful act of truth-telling, hosted by Larissa Behrendt AO. Speakers: - Distinguished Professor Larissa Behrendt AO, Jumbunna Institute for Indigenous Education & Research, University of Technology, Sydney and ABC Radio host - Cheryl Leavy, writer and poet - David Marr, journalist and author.

Narelle Jubelin and Archie Moore are selector artists in Big Power Energy at Chau Chak Wing Museum, the University of Sydney. 14 artists respond to the Power Collection’s legacy by choosing works not shown in over 30 years. Selector artists are: Serwah Attafuah, Christopher Bassi, Richard Bell, Megan Cope, Léuli Eshrāghi, Narelle Jubelin, Shivanjani Lal, Lindy Lee, Archie Moore, Ramesh Mario Nithiyendran, Ben Quilty, Leyla Stevens, Angela Tiatia, Imants Tillers. Exhibited artists are: Georg Baselitz, Joseph Beuys, Tony Ḏanyala, Juan Davila, Ronald Davis, Johnny Djatjamarralil, Philip Gudthaykudthay, Mary Gubiyarrawuy, Ralph Hōtere, Alain Jacquet, Miyalkkurruwurruwuŋ, Sidney Nolan, J.W. Power, Robert Rauschenberg, Robin White. Exhibition open now.

Archie Moore’s Comic Paintings from 2005 are being presented by the Institute of Modern Art, Brisbane. This early series by Moore features seven large-scale, unstretched paintings in comic book format, containing narratives around racism, bullying, generational trauma and poverty. The Commercial exhibited the Comic Paintings series in 2023 borrowed from a private collection. IMA exhibition: 18.01.25 – 30.03.25

Archie Moore's kith and kin, awarded Golden Lion for Best National Participation at the 2024 Venice Biennale has been named #1 in ARTnews' list of Defining Artworks of 2024.

Congratulations to Archie Moore for today being awarded an honorary doctorate by Queensland University of Technology. Celebrating Moore’s contribution to Australian art, QUT stated, ‘Mr Moore is one of Australia’s most significant contemporary artists, whose thought-provoking works challenge perceptions of identity, culture, and history. His deeply reflective and imaginative approach has made him a celebrated force in the art world.’ Moore was a graduate of QUT Bachelor of Visual Arts in 1998.

Listen to Archie Moore in conversation with celebrated writer and editor, Jennifer Higgie, as part of the Artists’ Artists Series 2 podcast produced by the National Gallery of Australia. Moore discusses three artworks of his selection from the NGA collection. The NGA has collected Moore's work in depth since 2012.

ArtReview has released its ‘Power 100’ for 2024, listing Archie Moore among the most influential people in the art world for this year. The listing acknowledges Moore’s significant win of the Gold Lion at the Venice Biennale 2024 for his monumental work, kith and kin.

The New York Times has published a feature interview with Archie Moore by Arun D'Souza in the final weeks of the Venice Biennale.