- » Wes Hill, Mitch Cairns — Free TAFE & Railway Cake, exh. text, The Commercial, Sydney, 2023
- » Archie Moore — Mīal, 2022, exhibition text, The Commercial, Sydney
- » Mathew Taft, Specters of Globalization, exhibition text, The Commercial, Sydney, 2022
- » Djon Mundine, Philip Gudthaykudthay - The Pussycat and the Kangaroo, exhibition text, The Commercial, Sydney 2021
- » Yasmin Smith, ‘Land of Fire’, artist statement, Sustaining Assembly: Pratiche artistiche per una trasizione ecologica dal basso, Parco Arte Vivente, Turin, Italy, 2021
- » Naomi Evans, ‘Stephen Ralph – Life is long’, exh. text, The Commercial, Sydney, 2021
- » Steve Cox, ‘Abstraction History & Oscar Perry’, Vault, Issue 34, May-July 2021, pp. 78-82
- » Courtney Kidd, ‘The National 2021: New Australian Art’, Artist Profile, no. 55, 2021
- » Patrick Hartigan, 'BEING AND VERBING', exhibition text, Oscar Perry - HIGH MIDDLE AGES, The Commercial, Sydney, 2021
- » Judy Annear, Lillian O’Neil - Soft Demand, exhibition text, The Commercial, Sydney, 2020
- » Eloise Hastings, ‘Patrick Hartigan – The Ground’, The ReviewBoard, 7 July 2020
- » Agatha Gothe-Snape - Lion's Honey Reader, Kaldor Public Art Projects, Sydney, 2020
- » Michael Snape, Mitch Cairns - Waylaid S T O O P, exh. text, The Commercial, 2020
- » Benjamin Clay, ‘Alpine Bogs and Associated Fens’, un Projects, 27 February 2020
- » Michael Edward Harvey, Amanda Williams - Alpine Bogs and Associated Fens, exhibition text, The Commercial, Sydney, 2020
- » Tom Melick, ‘A Window is a Verb’, exh. text, Set, Ditch Projects, Springfield, Oregon (US), Anna Kristensen and Cooperative Editions, 2020; republished for Out of Place, curated by Oscar Carpezio, Drill Hall Gallery, Australian National University, Canberra, 2021; and Sets, The Commercial, Sydney, 2021
- » Jude Rae, The art that made me: Jude Rae, LOOK magazine, Art Gallery of New South Wales, Sydney, 2017
- » Courtney Kidd, Jude Rae: A Patient Touch, Art Collector, Issue 88, April-June, 2019
- » Martin-Chew, Louise. ‘Micro Macro: Lillian O’Neil’ Vault, no. 25, February - April 2019, pp. 31-34
- » Jan Guy, ‘Travelling the many lines of place: An essay on the work of 2018 Biennale of Sydney artist Yasmin Smith’, The Journal of Australian Ceramics, Vol. 57, No. 2, Jul 2018, pp. 12-21
- » Toni Ross, Archie Moore: Dilemmas of Emotional Empathy: Archie Moore's A Home Away From Home (Bennelong/Vera’s Hut), Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p22 - p29
- » Steven Dow, Archie Moore Interview, Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p30 - p39
- » Archie Moore, Welcome, Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p8 - p9
- » Rachel Tolosa Paz, Yasmin Smith - Ashes to Ashes, Art Collector, Issue 58, July 2018, pp. 156-161
- » Sasha Grishin, Jude Rae: A space of measured light is on at ANU Drill Hall Gallery, Acton, Canberra Times, 24.08.17
- » An interview: Jude Rae and Terence Maloon, in Terence Maloon, Jude Rae: A Space of Measured Light, exh. cat. Drill Hall Gallery, Canberra, 2017
- » Nathan Hollywood, Andrew Liversidge - DEATH, 2017, exhibition text, The Commercial Gallery, Sydney
- » Jude Rae, In Plain Sight, in Terence Maloon, Jude Rae: A Space of Measured Light, exh. cat. Drill Hall Gallery, Canberra, 2017
- » Melissa Loughnan, 'Agatha Gothe-Snape', Australiana to Zeitgeist, Thames & Hudson, Australia, 2017, pp236-237
- » Steven Miller, Lillian O'Neil - Escape Velocity, exhibition text, The Commercial Gallery, Sydney, 2017
- » Wes Hill, ‘Around Town’, Frieze, No. 186, 9 February 2017.
- » Simon Gregg, ‘Hello Weird’, Weird Ceramic, exh. cat., Gippsland Art Gallery, Sale, Vic., 2016
- » John Cruthers, 'Mitch Cairns - Stray Geranium', exhibition text, The Commercial Gallery, Sydney, 2016
- » Shane Haseman, Anna Kristensen: Cover, exhibition text, The Commercial Gallery, Sydney, 2016
- » Aodhan Madden, RESTRAINED INTIMACY HOT COURAGE SEQUENCE, exh. text, Agatha Gothe-Snape, Volatile Medium, The Commercial Gallery, Sydney, 2016
- » Diena Georgetti - ART as COMPANION, exhibition text, The Commercial Gallery, Sydney, 2016
- » Cathy Craigie, 'Michael Riley, A common place: Portraits of Moree Murries', exh. text. The Commercial Gallery, Sydney, 2016
- » Andrew Taylor, Bulgari Art Award 2016 winner Jude Rae depicts the still lives of everyday objects, Sydney Morning Herald, 28.04.2016
- » Amanda Rowell, Narelle Jubelin - Flamenca Primitiva, The Commercial Gallery, Sydney, 2016
- » Eleanor Ivory Weber, Yasmin Smith - Ntaria Fence, exhibition text, The Commercial Gallery, Sydney, 2015
- » James Angus, Michael Snape, 2015, exh. cat., presented by The Commercial and Australian Galleries, Sydney
- » Matthew Holt, Midnight All Day: Notes on Mitch Cairns’ New Work, exhibition text to accompany Mitch Cairns FINCHES at The Commercial Gallery, Sydney, 2015
- » Kit Wise, Lillian O'Neil - The Lonely Isle, exhibition text, The Commercial Gallery Sydney, 2014
- » Tim Schultz, 'Comment on three “historical” paintings by Tim Schultz', unpublished paper presented at Melbourne Art Fair, The Commercial Gallery stand, 14.08.14
- » Stephen Ralph, exh. text, Assembly: contemporary ceramics, Margaret Lawrence Gallery, The University of Melbourne, Melbourne, 2014
- » Jason Markou, 'Mary Teague - Language of Art', exh. cat. The Commercial Gallery, Sydney, 2014
- » Shane Haseman, Agatha Gothe-Snape - Late Sculpture, exh. cat., The Commercial Gallery, Sydney, 2013
- » Plantas e Plantas [Plants and Plans], curated by Isabel Carlos, at the Centro de Arte Moderna, Calouste Gulbenkian Foundation, Lisbon, 2013, exh. cat. 149pp.
- » 'Philip Gudthaykudthay 'Pussycat'' in National Gallery of Australia, Culture Warriors - Australian Indigenous Art Triennial, exh. cat. National Gallery of Australia, Canberra, 2007, pp. 8-15
- » Djon/John Mundine, Aboriginal Memorial, Ramingining Arts, Ramingining, 1988, pp. 1-6
- » Elwyn Lynn, 'Gunter Christmann', in Art and Australia, vol. 10, no. 3, January 1973, pp. 242 - 251
- » Angela Goddard, Archie Moore: Memory Depictions, Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p11 - p16
- » Isobel Parker Philip, ‘An Elegy to Apertures’, Centre for Contemporary Photography, Melbourne, 2017
- » Jai Mc Kenzie and Amanda Williams, ‘On Photography and Consecutive Matters’, Runway, Issue 17, 2011, pp. 48-53
- » Kay Abude, ‘In conversation with Stephen Ralph’, Assembly: contemporary ceramics, exh. cat., Margaret Lawrence Gallery, The University of Melbourne, Melbourne, 2014
