The Commercial | The Texts

» Robert Cook, ‘as-if-by-chance the medium is the emergent atmosphere’, The Medium is the Medium: Agatha Gothe-Snape Material, exh. text, Art Gallery of Western Australia, Perth, 2024
» Lorena Allan, ''Very totemic and very Aboriginal': Australia’s entry at Venice Biennale is a family tree going back 65,000 years', The Guardian,17 April 2024
» ‘Augusta Vinall Richardson — TEMPLATE/SKETCH’, Random (re)View, 30 Oct 2023
» David Wlazlo, ‘The Housing Question’, Memo Review, 28 October, 2023
» Mitch Cairns, ‘Self-Portrait as a Lemon Tree’, Thin Skin, exh. cat., Jennifer Higgie and Chloe Aridjis, eds., Monash University Museum of Art, Melbourne, 2023, pp. 58-59
» Neika Lehman, ‘“Poetry reveals our world back to us”: Neika Lehman and Jazz Money in conversation’, Art Guide Australia, 7 July 2023
» Larissa Behrendt AO, Archie Moore — Pillors of Democracy, exh. text, Cairns Art Gallery, Cairns, 2023
» Diena Georgetti, ‘In their own words: Five women artists on their work in The National’, Art Guide Australia, 11 May 2023
» Amanda Williams, , ‘In their own words: Five women artists on their work in The National’, Art Guide Australia, 11 May 2023
» Andrew Hunt, Patrick Hartigan — A Clay Hand, exh. text, Moon Grove Gallery, Manchester, 2023
» Serena Bentley, ‘Diena Georgetti’, The National 4: Australian Art Now, exh. cat., Museum of Contemporary Art Australia, Sydney, 2023, p.80
» Anneke Jaspers, ‘Amanda Williams’, The National 4: Australian Art Now, exh. cat., Museum of Contemporary Art Australia, Sydney, 2023, p.140
» Ann Stephen, ‘Echoes and Excavations: Narelle Jubelin’s ‘Nalgures’ (Someplace)’, Art Monthly Australia, No. 334, Summer 2022-23, pp.54-58
» Helen Hughes, ‘Archie Moore: Gertrude Contemporary’, Artforum, vol. 61, no. 4, December 2022, p. 216
» Archie Moore interviewed by Tamsen Hopkinson, ‘Studio presents: In Your House’, Artlink, No. 42.3, Summer 2022, pp.94-103
» Augusta Vinall Richardson, 'artist statement', Master of Fine Art Graduate Exhibition, Monash University, Melbourne, 2022
» Elijah Money, ‘Archie Moore, Dwelling (Victorian Issue), Memo Review, 15 October 2022
» Archie Moore and Paris Lettau, ‘Archie Moore discusses Dwelling (Victorian Issue) with Paris Lettau’, Gertrude Contemporary, 2022
» Tristen Harwood, ‘Untold Treasure – Dwelling (Victorian Issue)’, The Saturday Paper, 17 September 2022
» Wes Hill ‘Archie Moore’s spectral defiance’, Art Guide Australia, 25 August 2022
» Yasmin Smith and Sarah Rees, ‘From the ashes, trees tell their stories’, Eucalyptusdom, exh. cat., Powerhouse Museum, Sydney, 2022, pp. 272-275
» Agatha Gothe-Snape, ‘Preface’, Eucalyptusdom, exh. cat., Powerhouse Museum, Sydney, 2022, p.13
» Amanda Williams, ‘The Last Stand’, Eucalyptusdom, exh. cat., Powerhouse Museum, Sydney, 2022, pp. 167 -201
» Katina Davidson, ‘Archie Moore’, Embodied Knowledge: Queensland Contemporary Art, exh. cat., Queensland Art Gallery, Brisbane, 2022, pp. 80-85
» Jazz Money, ‘on the power of poetry’, The Age, 12 August 2022
» Emma Joyce, ‘“I Don’t Really Care for the Rules of English”: Jazz Money, Author of How To Make a Basket, on Writing in Language’, Broadsheet, 8 March 2022
» Bradley Vincent, ‘Spectral State’, 2022 Adelaide Biennial of Australian Art: Free/State, Art Gallery of South Australia, Adelaide, 2022, p.42
» Susan Skelly, ‘The Alchemy of Ash’, The Saturday Paper, no. 382, 15 January 2022, pp. 16-17
» ‘Rethinking Nature – Madre Museum’, e-flux, 16 December 2021
» Pamela See, ‘At the Asia Pacific Triennial, Universal Concerns Are Personal’, Ocula, 15 December 2021
» Ellie Buttrose, ‘Yasmin Smith’, The 10th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, Brisbane, 2021, pp.144-145
» James McArdie, ’15 November: Obsolete’, On This Date in Photography, 15 November 2021
» Djon Mundine OAM, ‘The Colour Line: Archie Moore & W. E. B. Du Bois’, di’van/ A Journal of Accounts, no.10, pp. 82-93
» Amanda Williams on her first international exhibition, PHOTO 2021, 15 September 2021
» Vicki Renner, ‘Exhibition Review: TarraWarra Biennial 2021: Slow Moving Waters’, ArtsHub, 5 July 2021
» Tony Magnusson, ‘Shadow Boxer’, The Saturday Paper, 12 June 2021
» Nick Miller ‘Diena Georgetti - The reclusive Melbourne artist who’s mashing up a storm’, The Age, 1 June 2021
» Toni Ross, ‘Archie Moore: UNSW Galleries’, ARTFORUM, vol. 59, no. 9, May 2021
» Conversations and Correspondence: Relations interview - Narelle Jubelin interview by Alana Hunt (with Diana Wood Conroy), The National 2021: New Australian Art, Carriageworks, Sydney, 2021
» Piero Gilardi and Marco Scotini, Sustaining Assembly, exh. text, Parco Arte Vivente, Turin, Italy, e-flux, 40 April, 2021
» Oscar Capezio, Out of Place, exh. cat., Drill Hall Gallery, Australian National University, Canberra, 2021, pp18-19
» Oscar Capezio, Out of Place, exh. cat., Drill Hall Gallery, Australian National University, Canberra, 2021, pp. 20-21
» Nina Miall, ‘Registrations of Place’, Tarrawarra Biennial 2021: Slow Moving Waters, Tarrawarra Museum of Art, Healesville, Vic, 2021, pp.80-83
» Daniel Mudie Cunningham, 'Mitch Cairns', exh. text, The National: New Australian Art, Carriageworks, Sydney, 2021
» Aarna Fitzgerald Hanley, 'Agatha Gothe-Snape', exh. text, The National: New Australian Art, Carriageworks, Sydney, 2021
» Madeline Simm, ‘Containment/Maze as Metaphor’, exh. text, How Do You Wish For a Lifetime of Happiness?, Discordia, Melbourne, 2021
» Susan Best, ‘Narelle Jubelin’, Know My Name, exh. cat., National Gallery of Australia, Canberra, 2020, pp. 200-201
» Hannah Matthews, ‘Agatha Gothe-Snape’, Know My Name, exh. cat., National Gallery of Australia, Canberra, 2020, pp. 156-159
» Q&A with Amanda Williams, PHOTO 2021, 21 October 2020
» Djon Mundine OAM, 'Untitled', First impression: Indigenous works from the ACU Art Collection, exh. cat., Australian Catholic University, Sydney, 2020, pp. 50-51
» Dougal Phillips, ‘Nigel Milsom’, Art & Australia, no. 45.4, Winter 2008, p.647
» Andrew Frost, ’50 Things Collectors Should Know’, Art Collector, no. 91, Jan-Mar 2020, pp. 112-113
» Laura Couttie, 'Oscar Perry', Artist Profile, Issue 44, 2018, pp. 50-53
» Eve Sullivan, 'Agatha Gothe-Snape on Art and Education', Artlink, Issue 39:3, September 2019
» Rob McLeish, 'Andrew Liversidge: PROOF OF WORK', exhibition text, Gertrude Glasshouse, Melbourne, 2019
» Trying to Find Comfort in An Uncomfortable Chair: Agatha Gothe-Snape with the Cruthers Collection of Women's Art, exh. room sheet, Perth Institute of Contemporary Arts, Perth, 2019
» Gina Fairley, ‘First impressions are everything, especially for art at an airport’, ArtsHub, 9 Aug 2018
» Larissa Behrendt, Archie Moore: United Neytions, brochure, Sydney Airport and Museum of Contemporary Art Australia, 2018
» Djon Mundine OAM, 'Archie Moore: 1970 - 2018' (review), Artlink, Issue 38:2, June, 2018, pp82-87
» Julie Ewington, 'The 21st Biennale of Sydney' (review), The Monthly, May, 2018
» Rebecca Gallo, '21st Biennale of Sydney: Yasmin Smith', Artguide Australia, May, 2018
» Wes Hill, 'Archie Moore's Conflicting Energies', Frieze, 12 April 2018
» Penrith Regional Gallery & The Lewers Bequest Autumn Exhibition Suite 2018, exh. cat., Penrith Regional Gallery & The Lewers Bequest, Penrith, 2018
» Penrith Regional Gallery & The Lewers Bequest Autumn Exhibition Suite 2018, exh. cat., Penrith Regional Gallery & The Lewers Bequest, Penrith, 2018
» Emily Wakeling, 'Archie Moore - Griffith University Art Museum', critics picks, Artforum, March 2018
» Penrith Regional Gallery & The Lewers Bequest Autumn Exhibition Suite 2018, exh. cat., Penrith Regional Gallery & The Lewers Bequest, Emu Plains, 2018
» Elli Walsh, ‘Oscar Perry: The Michelin Star’, Art Almanac, March, 2018
» Varia Karipoff, ‘Anna Kristensen', Art Guide, September/October, 2017, pp58-61
» Andrea Rubenik, ‘Nigel Milsom: Judo House Part 6 (The White Bird)’, Ecstasy: Baroque and Beyond, exh. cat., The University of Queensland Art Museum, Brisbane, 2017, pp. 16-17
» Sara Savage, 'Diena Georgetti: Art and Artifice', Vault, Issue 19, 2017, pp42-45
» Linda Short, 'Gunter Christmann: Red/Green Cross 1966', Call of the Avant-Garde: Constructivism & Contemporary Art, exh. cat, Heide Museum of Modern Art, Melbourne, 2017, pp74-75
» Melissa Loughnan, 'Andrew Liversidge', Australiana to Zeitgeist, Thames & Hudson, Australia, 2017, pp136-137
» Sophia Cai, 'Five Ways with Clay', The Journal of Australian Ceramics, Vol 56, No 2, July 2017
» Anna Briers, 'Beyond materiality: Histories re-thought and reimagined', 2017 Sidney Myer Fund Australian Ceramic Award, exh. cat. Shepparton Art Museum, 2017
» Claudia Arozqueta, 'Harvest', review, Art Agenda, March 2, 2017
» Anne Elvey, ‘Michael Riley’s Bible and the Touch of the Text (with reference to the Gospel of Luke)’, The Bible and Art, Perspectives from Oceania, eds., Carolyn Blyth, and Nasili Vaka’uta, Bloomsbury T and T Clark, London, 2017, pp. 163-186
» Franz Thalmair, 'Agatha Gothe-Snape: Mori Art Museum', critics' picks, Artforum, February, 2017
» Steve Dow, United Neytions, email interview with Archie Moore, January 2017
» Tess Maunder, 'Dwelling' as a political form: Architecture and memory in the practice of Archie Moore, Art Monthly, Issue 295, December, 2016, pp64-69
» Matthew Taft and Julian R Murphy, 'Coq au vin presents Hard on the Heels of… — an ornithological examination of artistic collaboration in a globalised age', UN Magazine, Issue 10.2, October, 2016
» 'Simon Ingram, John Baldessari, Oscar Perry', exhibition text, Bowerbank Ninow, Auckland, 2016
» ‘Oscar Perry: Essential Oils’, exhibition text, Bowerbank Ninow, Auckland, 2016
» Hannah Mathews, ‘Nigel Milsom’, Painting. More Painting, exh. cat. Australian Centre for Contemporary Art, Melbourne, 2016, p.114
» Eliza Devlin, 'Travis MacDonald', Painting. More Painting, exh. cat. Australian Centre for Contemporary Art, Melbourne, 2016, p107
» Stephanie Berlangieri and Hannah Mathews, 'Mitch Cairns', Painting. More Painting, exh. cat, Australian Centre for Contemporary Art, Melbourne, 2016, pp54-57
» Eliza Devlin, ‘Oscar Perry’, Painting. More Painting, exh. cat. Australian Centre for Contemporary Art (ACCA), Melbourne, 2016, p126
» Max Delany, 'Angela Brennan', Painting. More Painting, exh. cat., Australian Centre for Contemporary Art, 2016, pp. 50-53
» Jennifer Higgie, '20th Sydney Biennale', Frieze review, 14 May, 2016
» Agatha Gothe-Snape, Physical Doorway (Three Ways), artist statement, 2016
» Rachel Fuller, 'Narelle Jubelin at The Commercial, Sydney', Ocula, April, 2016
» Lily Le Brun, 'Narelle Jubelin', Frieze, 22 February, 2016
» Lily Le Brun, 'Narelle Jubelin - Marlborough Contemporary, London', Frieze, review, 22 February, 2016
» Mitch Cairns, 'Art Sets. The art that made me: Mitch Cairns', Art Galllery of New South Wales, Sydney, 2016
» 'Narelle Jubelin. Flamenco Primitivo', Wall Street International, review, 8 January, 2016
» Paul David Young, Performa 15: Rewarding Musical Turns, and Unused Real Estate, Hyperallergic, November 29, 2015
» Tim Schultz, Historicism & Manic Revolt, Lurid Beauty: Surrealism and its Echoes, exh. cat. National Gallery Victoria, 2015, pp 166-169
» Djon Mundine OAM, Les Eaux d'Amoore: Archie Moore, Tarnanthi, Festival of Contemporary Aboriginal and Torres Strait Islander Art, exh. cat. Art Gallery of South Australia, Adelaide, 2015, pp132-133
» Eugene Carchesio, Diena Georgetti - wie so primitiv, wie so sensible, exh. cat. Institute of Modern Art, Brisbane, 1992
» Sue Cramer, Diena Georgetti - REST de Kreatur, exh. cat. Institute of Modern Art, Brisbane, 1989
» Eugene Carchesio, Diena Georgetti, The Boundary Rider, 9th Biennale of Sydney, exh. cat. Art Gallery of New South Wales, Sydney, Australia, 1992, pp.108
» Reuben Keehan, Agatha Gothe-Snape, 100 Contemporary Artists of Our Time, Bijutsutecho, Spring 2015, p105
» Robyn Mckenzie, The Local Group, Store 5 1989-1993, Pitch Your Own Tent; Art Projects, Store 5, 1st Floor, exh. cat. Monash University Museum of Art, Victoria, Australia, 2005, pp. 38-47
» Dan Rule, Mitch Cairns: Poetics and Pragmatics, Vault, Issue 11, 2015, pp20-23
» Lisa Gorton, The Humanity of Abstract Painting for Diena Georgetti, Before and After Science, exh. cat, Adelaide Biennial, Art Gallery of South Australia, Adelaide, 2010, pp. 52-53
» Archie Moore, 14 Nations, Courting Blakness - Recalibrating Knowledge in the Sandstone University, The University of Queensland, Brisbane, 2015, pp118-123
» Patrick Hartigan, 'Moving pictures in Sydney galleries', The Saturday Paper, July 18, 2015
» Rachel Kent, ‘Nigel Milsom: Surface tension’, Art Monthly Australia, no. 280, June 2015, pp. 40-43
» Stella Rosa McDonald, 'HiLux', The Art Life, 20 May, 2015
» Neha Kale, 'Five female artists you should invest in now', Daily Life, 3 December, 2014
» Susan Gibb, Anna Kristensen - Render, exh. cat. Gallery 9, Sydney, 2014
» Archie Moore, SOUTH: Contemporary Art from Australia, Mexico & South Africa, exh. cat. Hazelhurst Regional Gallery & Arts Centre, Sydney, 2014, pp60-63
» Erik Jensen, The headline is the epitaph, ‘Agatha Gothe-Snape – Untitled’, 8th Berlin Biennale, artist brochure with four essays, 2014
» Emily Cormack, If I were a word, ‘Agatha Gothe-Snape – Untitled’, 8th Berlin Biennale, artist brochure with four essays, 2014
» Tim Scott, 'Oscar Perry: Negative Gearing', Broadsheet, 12 August, 2014
» Simon Barney, Urban Cosmos, Gunter Christmann, exh. cat., Heide Museum of Modrern Art, Melbourne, pp23-33
» Amanda Rowell, 'Michael Riley's early portraits', Portrait Magazine, National Portrait Gallery, Spring/Summer, 2014, p25
» Juan A Gaitan, Words and Sentences - Sentences and Resolutions (No Revolutions), ‘Agatha Gothe-Snape – Untitled’, 8th Berlin Biennale, artist brochure with four essays, 2014
» Rebecca Ross, ‘If The Walls Could Talk - Bonita Bub & Marilyn Schneider’, ABC Open, 30 April, 2014
» Gunter Christmann obituary | Simon Barney, 'Gunter Christmann 1936-2013', Art Monthly, Issue 267, March 2014, p. 62
» Isobel Parker Phillip, ‘Sordid and Grotesque’, The Artlife, 14 January, 2014
» David Colman, 'The Next Generation of Artists to Know Now', December issue, Architectural Digest, 2013
» Anna Sutton, 'IN THE CUT - Altered States at ACCA', Broadsheet, 2013, www.broadsheet.com.au
» Robert Nelson - Artists strike gold with radical ideas | review of Reinventing the Wheel: the Readymade Century, 2013 | Monash University Museum of Art | 30/10/13, www.theage.com.au
» Brenda L. Croft, ‘True beauty: Michael Riley’s portraits 1984-1990’, Photofile, Vol. 93, Spring/Summer 2013-14, pp. 33-39
» Natasha Bullock, ‘A speculative exhibition: Aspects of recent photographic practice’, Photofile, Vol. 93, Spring/Summer 2013-14, pp. 114-120
» Nathan Hollywood, All That Fall exh. cat., 2013
» Bronwyn Watson, Beauty touched by horror in the photographs of Aboriginal artist Michael Riley, The Australian, August 03 2013, www.theaustralian.com.au
» Meredith Morse, ‘Time underfoot: Gunter Christmann’s recent paintings’ Art & Australia, vol 50. No.4, Autumn, 2013
» Djon Mundine OAM, Archie Moore - Flags of Convenience, Vault, Issue 3, 2013, pp. 32-33
» Amelia Groom (ed.), Two Dollar Pareidolia, exh. cat. Tin Sheds, The University of Sydney, 2013
» Shane Haseman, Anna John and Anna Kristensen - Paintings and Sculptures, exh. cat. OK Gallery, Perth, 2012
» Vaughan O’Connor, ‘Dark Victory: Nigel Milsom Profile’, Incubate, no. 8, 2012, pp. 58-61
» Ingrid Periz, ‘Nigel Milsom: Judo House Part 4 (Golden Mud)’, Eyeline, no. 76, 2012, pp.79
» Catherine Bennetts-Cash, Un-acclimatised exh. cat., Monash University Museum of Art, 2012
» Jane O'Neil, ‘Stephen Ralph’, Austral Avenue: An experiment in living with art, exh. cat., Austral Avenue, Melbourne, 2012, pp. 42-47
» Marian Tubbs, Money and other events before the form, Runway, Issue 22, Site, ed. Jai McKenzie, pp. 64-67
» Luke Parker and Ann Stephen, Narelle Jubelin: Vision in Motion, exh. cat. University Art Gallery, The University of Sydney, Sydney, 2012
» Amelia Groom, Placed Into Abyss, Mise en abyme, exh. cat. Station Gallery, Melbourne, 2011
» Gary Carsley, Outside In: A Short introduction to the Indian Chamber panorama of Anna Kristensen, Chamber, exh. cat. Gallery 9, Sydney, 2011
» Mitch Cairns in conversation with Shane Haseman & Agatha Gothe-Snape, 'Man Rose', 14 August 2010, 138 Evans St, Rozelle, Sydney
» Natasha Bullock, ‘Nigel Milsom’, Wilderness: Balnaves contemporary painting, exh. cat., Art Gallery of New South Wales, Sydney, 2010, pp. 82-89
» Ann Stephen, Narelle Jubelin, Cannibal Tours, exh. cat. Heide Museum of Modern Art, Melbourne, 2009
» Mark Feary, In my mind I know what I think, but that’s only based on my experience, un Magazine, Issue 3.2, 2009, pp 64-65
» Anne Kirker, Diena Georgetti: Scoping two decades, Eyeline, Issue 68, Autumn, 2009
» Rosemary Forde, Diena Georgetti, Art World, Issue 5, October-November 2008, pp170-171
» Max Delany, The black paintings as lexicon and manifesto, Diena Georgetti, The Humanity of Abstract Painting 1988-2008, exh. cat. Monash University Museum of Art, 2008, pp7-9
» Robert Leonard, Parallel existence: Diena Georgetti's recent work, Diena Georgetti, The Humanity of Abstract Painting 1988-2008, exh. cat. Monash University Museum of Art, 2008, pp55-57
» Hetti Perkins, Michael Riley: Half Light Portraits From Black Australia, Art Gallery of New South Wales, Sydney, 2008, 110-119
» Diena Georgetti, The Civilisation of the Abstract, The Humanity of Abstract Painting, 21st Century Modern, exh. cat. Adelaide Biennial, Art Gallery of South Australia, Adelaide, 2006, pp. 32-33
» Amanda Rowell, 'Angela Brennan: Text Paintings', HEAT 10. Getting it right, 2005, pp. 97-112
» David M.Thomas, Notes on Post Contemporary Painting, Post Contemporary Painting, exh. cat. Institute of Modern Art, Brisbane, 2004, pp. 6-9
» David M.Thomas, Notes on Post Contemporary Painting, Post Contemporary Painting, exh. cat. Institute of Modern Art, Brisbane, 2004, pp. 6-9, 26-27
» Lynne Cooke, Narelle Jubelin, Art and Australia, vol. 34, no. 3, 1997, p. 416
» Natalie King, Narelle Jubelin, Soft and Slow, exh. cat. Monash University Gallery, Melbourne, 1995
» Julian Savage, Traces of a Past Foretold: The Paintings of Diena Georgetti, Australian Perspecta 1995, exh. cat. Art Gallery of New South Wales, Sydney, 1995, pp.42-43
» Jennifer Spinks, ‘Image-Scavenging - Exhibition Review Dangerous Liaisons Plimsoll Gallery, Centre for the Arts, Hobart’, Artlink – The Face, vol. 15, no. 2&3
» ‘Liking What I Do - Michael Riley’ Part 1 and Part 2, in Racism, Representation & Photography, Inner City Education Centre Cooperative, Sydney, 1994, pp 141 - 150
» Michael Riley, 'Liking What I Do', Part 1, Interview by Andrew Dewdney, 1989, Racism, Representation and Photography, 1994, pp141-145
» Michael Riley, 'Liking What I Do', Part 2, Interview by Sandra Phillips, 1992, Racism, Representation and Photography, 1994, pp146-150
» Joe Scanlan, Narelle Jubelin, Soft Shoulder, The Renaissance Society at The University of Chicago, Chicago, 1994
» Juliana Engberg, Mary Jane Jacob and Russell Lewis, Narelle Jubelin, Soft Shoulder, exh. cat. The Renaissance Society at The University of Chicago and Grey Art Gallery and Study Centre, New York University, 1994-1995
» Anna Clabburn, The shock of the nude, World Art, Inaugural issue, Nov 1993, pp 44-47
» Elizabeth Gertsakis, Narelle Jubelin A Pure Language of Heresy, June, 1993
» Narelle Jubelin, Dead Slow, exh. cat. Centre for Contemporary Arts, Glasgow, 1992
» Lynne Cooke, Bice Curiger, Greg Hilty, Doubletake: Collective Memory and Current Art, exh. cat. Hayward Gallery, London, 1992
» Jo Holder, Narelle Jubelin - Trade delivers people, Aperto Venice Biennale, exh. cat. Mori Gallery, Sydney, 1990
» Eugene Carchesio, Diena Georgetti - Rest de Kreatur, Eyeline, Issue 10, 1989
» Gunter Christmann, TERRA SUBPEDE (The Earth underfoot), 1980
» The Work and Its Context: Six Attitudes in Australian Art, exh. cat., San Francisco Museum of Modern Art, San Francisco (US), 1978
» Eve Sullivan, The Caboose, Art and Text #44, January, 1993, pp.73-74
» Amanda Williams, 'Nichols Gorge Walk, Kosciuszko National Park', artist statement, Whose Land Is It? Open Eye Gallery, Liverpool, UK, 2021