WRITING HERE
WRITING ELSEWHERE
  • » Lisa Radford, 'Angela Brennan Quantum Colour', The Saturday Paper, 6 Apr 2024
  • » Amelia Wallin exhibition text, Narelle Jubelin — Contexto. For RDJ, RG & TH, at The Commercial, Sydney, 2024
  • » Amemia Winata, 'Angela Brennan: Tête-à-tête & Vis-à-vis ', exh. text, Art Gallery of Ballarat, 2024
  • » Nick Croggon, ‘Still Life’, exh. text, Amanda Williams — On the Action of the Rays of the Solar Spectrum, The Commercial, Sydney
  • » Wes Hill, Mitch Cairns — Free TAFE & Railway Cake, exh. text, The Commercial, Sydney, 2023
  • » Kathryn Weir, Yasmin Smith — Forest, exh. text, The Commercial, Sydney, 2022
  • » Archie Moore — MÄ«al, 2022, exhibition text, The Commercial, Sydney
  • » Mathew Taft, Specters of Globalization, exhibition text, The Commercial, Sydney, 2022
  • » Djon Mundine, Philip Gudthaykudthay - The Pussycat and the Kangaroo, exhibition text, The Commercial, Sydney 2021
  • » Yasmin Smith, ‘Land of Fire’, artist statement, Sustaining Assembly: Pratiche artistiche per una trasizione ecologica dal basso, Parco Arte Vivente, Turin, Italy, 2021
  • » Naomi Evans, ‘Stephen Ralph – Life is long’, exh. text, The Commercial, Sydney, 2021
  • » Steve Cox, ‘Abstraction History & Oscar Perry’, Vault, Issue 34, May-July 2021, pp. 78-82
  • » Courtney Kidd, ‘The National 2021: New Australian Art’, Artist Profile, no. 55, 2021
  • » Patrick Hartigan, 'BEING AND VERBING', exhibition text, Oscar Perry - HIGH MIDDLE AGES, The Commercial, Sydney, 2021
  • » Judy Annear, Lillian O’Neil - Soft Demand, exhibition text, The Commercial, Sydney, 2020
  • » Eloise Hastings, ‘Patrick Hartigan – The Ground’, The ReviewBoard, 7 July 2020
  • » Agatha Gothe-Snape - Lion's Honey Reader, Kaldor Public Art Projects, Sydney, 2020
  • » Michael Snape, Mitch Cairns - Waylaid S T O O P, exh. text, The Commercial, 2020
  • » Benjamin Clay, ‘Alpine Bogs and Associated Fens’, un Projects, 27 February 2020
  • » Michael Edward Harvey, Amanda Williams - Alpine Bogs and Associated Fens, exhibition text, The Commercial, Sydney, 2020
  • » Tom Melick, ‘A Window is a Verb’, exh. text, Set, Ditch Projects, Springfield, Oregon (US), Anna Kristensen and Cooperative Editions, 2020; republished for Out of Place, curated by Oscar Carpezio, Drill Hall Gallery, Australian National University, Canberra, 2021; and Sets, The Commercial, Sydney, 2021
  • » Jude Rae, The art that made me: Jude Rae, LOOK magazine, Art Gallery of New South Wales, Sydney, 2017
  • » Courtney Kidd, Jude Rae: A Patient Touch, Art Collector, Issue 88, April-June, 2019
  • » Martin-Chew, Louise. ‘Micro Macro: Lillian O’Neil’ Vault, no. 25, February - April 2019, pp. 31-34
  • » Jan Guy, ‘Travelling the many lines of place: An essay on the work of 2018 Biennale of Sydney artist Yasmin Smith’, The Journal of Australian Ceramics, Vol. 57, No. 2, Jul 2018, pp. 12-21
  • » Toni Ross, Archie Moore: Dilemmas of Emotional Empathy: Archie Moore's A Home Away From Home (Bennelong/Vera’s Hut), Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p22 - p29
  • » Steven Dow, Archie Moore Interview, Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p30 - p39
  • » Archie Moore, Welcome, Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p8 - p9
  • » Rachel Tolosa Paz, Yasmin Smith - Ashes to Ashes, Art Collector, Issue 58, July 2018, pp. 156-161
  • » Sasha Grishin, Jude Rae: A space of measured light is on at ANU Drill Hall Gallery, Acton, Canberra Times, 24.08.17
  • » An interview: Jude Rae and Terence Maloon, in Terence Maloon, Jude Rae: A Space of Measured Light, exh. cat. Drill Hall Gallery, Canberra, 2017
  • » Nathan Hollywood, Andrew Liversidge - DEATH, 2017, exhibition text, The Commercial Gallery, Sydney
  • » Jude Rae, In Plain Sight, in Terence Maloon, Jude Rae: A Space of Measured Light, exh. cat. Drill Hall Gallery, Canberra, 2017
  • » Steven Miller, Lillian O'Neil - Escape Velocity, exhibition text, The Commercial Gallery, Sydney, 2017
  • » Wes Hill, ‘Around Town’, Frieze, No. 186, 9 February 2017.
  • » Simon Gregg, ‘Hello Weird’, Weird Ceramic, exh. cat., Gippsland Art Gallery, Sale, Vic., 2016
  • » John Cruthers, 'Mitch Cairns - Stray Geranium', exhibition text, The Commercial Gallery, Sydney, 2016
  • » Shane Haseman, Anna Kristensen: Cover, exhibition text, The Commercial Gallery, Sydney, 2016
  • » Aodhan Madden, RESTRAINED INTIMACY HOT COURAGE SEQUENCE, exh. text, Agatha Gothe-Snape, Volatile Medium, The Commercial Gallery, Sydney, 2016
  • » Diena Georgetti - ART as COMPANION, exhibition text, The Commercial Gallery, Sydney, 2016
  • » Cathy Craigie, 'Michael Riley, A common place: Portraits of Moree Murries', exh. text. The Commercial Gallery, Sydney, 2016
  • » Andrew Taylor, Bulgari Art Award 2016 winner Jude Rae depicts the still lives of everyday objects, Sydney Morning Herald, 28.04.2016
  • » Amanda Rowell, Narelle Jubelin - Flamenca Primitiva, The Commercial Gallery, Sydney, 2016
  • » Eleanor Ivory Weber, Yasmin Smith - Ntaria Fence, exhibition text, The Commercial Gallery, Sydney, 2015
  • » James Angus, Michael Snape, 2015, exh. cat., presented by The Commercial and Australian Galleries, Sydney
  • » Matthew Holt, Midnight All Day: Notes on Mitch Cairns’ New Work, exhibition text to accompany Mitch Cairns FINCHES at The Commercial Gallery, Sydney, 2015
  • » Kit Wise, Lillian O'Neil - The Lonely Isle, exhibition text, The Commercial Gallery Sydney, 2014
  • » Tim Schultz, 'Comment on three “historical” paintings by Tim Schultz', unpublished paper presented at Melbourne Art Fair, The Commercial Gallery stand, 14.08.14
  • » Stephen Ralph, exh. text, Assembly: contemporary ceramics, Margaret Lawrence Gallery, The University of Melbourne, Melbourne, 2014
  • » Jason Markou, 'Mary Teague - Language of Art', exh. cat. The Commercial Gallery, Sydney, 2014
  • » Plantas e Plantas [Plants and Plans], curated by Isabel Carlos, at the Centro de Arte Moderna, Calouste Gulbenkian Foundation, Lisbon, 2013, exh. cat. 149pp.
  • » 'Philip Gudthaykudthay 'Pussycat'' in National Gallery of Australia, Culture Warriors - Australian Indigenous Art Triennial, exh. cat. National Gallery of Australia, Canberra, 2007, pp. 8-15
  • » Djon/John Mundine, Aboriginal Memorial, Ramingining Arts, Ramingining, 1988, pp. 1-6
  • » Elwyn Lynn, 'Gunter Christmann', in Art and Australia, vol. 10, no. 3, January 1973, pp. 242 - 251
  • » Angela Goddard, Archie Moore: Memory Depictions, Archie Moore 1970 - 2018, exh. cat. Griffith University Art Museum, p11 - p16
  • » Isobel Parker Philip, ‘An Elegy to Apertures’, Centre for Contemporary Photography, Melbourne, 2017
  • » Jai Mc Kenzie and Amanda Williams, ‘On Photography and Consecutive Matters’, Runway, Issue 17, 2011, pp. 48-53
  • » Kay Abude, ‘In conversation with Stephen Ralph’, Assembly: contemporary ceramics, exh. cat., Margaret Lawrence Gallery, The University of Melbourne, Melbourne, 2014
  • » Jazz Money, bila, a river cycle (full transcription of poem), from Jazz Money, how to make a basket, UQP, 2021